What gives naked protest its power in Africa?

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Even while new technologies transform political protest, citizens continue to use their bodies in acts of civil resistance. A new journal article on northern Uganda explains how citizens are using public nakedness to protest land dispossession by an increasingly authoritarian state, which grants the protester forms of power and highlights constraints on political speech.

How can citizens living under hybrid and authoritarian regimes exercise political voice? Recent waves of protests from Hong Kong to Iraq have illustrated the risks taken by ordinary citizens when they take to the streets to protest such regimes – ranging from arrest and detention to physical harm and even death. Rulers have long leveraged military force to limit collective political action, and today this is further paired with growing surveillance technologies that allow targeted violence to control entire populations.

Though many expressed hope that new technologies would strengthen civil society, in practice, state actors and political elites are often able to turn these new tools to their advantage, such that some researchers have identified mixed effects on democracy. Nevertheless, ordinary citizens continue to employ a host of other repertoires – both novel and timeworn – to protest oppression and militarism, including humourart, or rudeness.

In our new article in Civil Wars, we join this conversation through a study of an ancient form of protest: the baring of naked bodies. Public nakedness has been documented as a means of political protest worldwide, in vastly different cultural contexts, from India to Russia. It has been used from pre-colonial times to the modern day. Although it is often marginal to discussions of non-violent and popular protest, studying how it is used can help understand how ordinary citizens oppose violent and repressive rule.

Naked protest in Uganda

Our article looks at naked protest in the context of northern Uganda to draw out broader insights about public protest in politically repressive contexts. Here, naked protest is most commonly used in interpersonal and individual contexts, when a person – typically an elder – bares a naked breast or genitalia and, pointing it at the offending party, issues verbal curses such as: ‘I am the one who gave you life, if you are the one who stole this money then you will continue to steal your entire life and you will not be able to stop’. This curse is understood as a last resort, an act that breaks social ties and can even kill its victim. It is typically used by elders to punish youth or children who have repeatedly refused to adhere to the gendered, gerontocratic social order.

Nakedness as a form of collective public protest has been used across Uganda by ordinary citizens when there appears to be no alternative repertoire at their disposal, as a result of a militarised and shrinking democratic space. Such protests have often occurred in relation to land alienation, where citizens face forced displacement. In another highly publicised case, academic and activist Stella Nyanzi stripped to her underwear to protest work conditions at Makerere University, and women in Kampala also used it to protest police brutality.

Starting from this context, we examine a well-known case of naked protest used in Apaa, northern Uganda, when elderly women stripped naked to oppose land alienation. We find that by baring their naked bodies, citizens employ three types of overlapping and entwined power to confront the much more powerful state in a highly militarised public sphere.

First, by stripping, citizens exercise biopower. By showing that the state cannot discipline or govern their bodies, they challenge the basis of the state’s authority as an entity that governs its citizens. Second, the gendered nature of the naked body imbues this type of protest with symbolic power – for women, related to the female body as a thing to be protected as a ‘wife’ or ‘mother’ of the community. This type of symbolic power shifts the terms of protest from a political to a moral terrain, which is important for ordinary people seeking to make claims in a militarised public sphere. Finally, drawing on the curse derived from interpersonal usages, citizens exercise cosmological power, particularly relevant for protesting repressive regimes because the curse can strike at any time after the protest has occurred.

The limitations of political space

Returning to that day in Apaa, the naked protest of the elderly women achieved its short-term goal – the military and government officials who had come to demarcate the land left in peace. However, there have subsequently been repeated instances of violence in Apaa to remove people from the land and hand it over to private investors, and residents have employed various other tactics to resist. Thus, while public nakedness may be one way for citizens to engage militarised regimes, it also demonstrates that the space for public dissent is extremely limited, and often ineffective. To strip naked is a last resort, and its use reflects the constraints placed on exercising political voice and resultant obstacles to instigating collective political action.


About the authors

Francis Abonga

Francis Abonga

Francis Abonga holds a Bachelors Degree in Business Administration and Finance from Gulu University. Recently, Francis has worked on two major research projects: the Land Conflict Mapping Tool for the Acholi Sub-Region (UN Peacebuilding Fund/Human Right Focus) and the Joint Acholi Sub-regional Leaders Forum Customary Land survey.

Raphael Kerali

Raphael Kerali is a researcher for the Firoz Lalji Centre for Africa at the London School of Economics.

Holly Porter

Holly Porter

Holly Porter is University Lecturer in the Department of Politics and International Studies in the University of Cambridge Centre for Gender Studies. An anthropologist focusing on Africa, her work centres around issues of gender, sexualities, violence, and local notions of healing and justice after war—particularly in northern Uganda where she has lived for more than ten years.

Rebecca Tapscott

Rebecca Tapscott

Dr Rebecca Tapscott is a post-doctoral research fellow at the Albert Hirschman Centre on Democracy at the Graduate Institute in Geneva, focusing on the relationship between violence and governance in illiberal democratic regimes.

This piece was first published by LSE blogs.

One thought on “What gives naked protest its power in Africa?

  1. “To strip naked is a last resort…” I disagree. A last resort, in my humble opinion, will be the moment a critical mass of Ugandans are driven by despair to lose all fear of death, decide to take up violence in order to remove the dictator from power. In 2018, a group of students asked me what I would do, if I were in Mr Kyagulanyi’s shoes. I responded thus: “Do not be driven to act precipitously in a desperate bid to remove Museveni from state power, but go the extra mile and endure him. Yes, you heard me right, suffer the dictator! The worst thing he can do to you is kill you, and after that, he can do nothing! It should be remembered that Museveni is a mere man – he is flesh and blood – he too shall go the way of all men.” See: ‘Bah! Humbug! Only a sissy is fit to be a servant leader!’ https://thekamugasachallenge.com/servant-leader/

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